we are really happy to finally announce the release of the 7th record as the next in the series of full eps. dustins debut record comes as a result of nearly two years work between artist and label to get the perfect tracks for this full release and we feel it has been well worth the wait.
each record comes with an exclusive 24 inch square poster of the artwork for the release, designed by hani abusamra, which forms the second in the series of collectable nixwax posters that now accompany each nixwax ep.
the lead track was first tested out in the boiler room by nixwax boss, rob amboule and received a fantastic reception, with online fans and audience alike lusting after that growling bassline.
full support comes from some of the leading names in deep underground house at the moment, including rossko fuse, casino times and many more, as well as all the nixwax artists and ojsmooths mum. we have every confidence in this record and look forward to seeing it get the reception it deserves.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

we present to you the first vinyl record from the minim.all label. this is a work by a creative team from russia, consisting of the owner of the minim.all label - mikhail kobzar a.k.a. plastic sound and his wife nastia. my wifes and my own ideas of people have always been filled with humor. after all, its impossible not to smile while observing the causes which make people act in a certain way.

dot records welcomes myles serge to the helm with his detroit style,with remixes my label boss aubrey, which is a more jazzed out spaced out mix of the original, and long time friend and music partner mark ambrose on remix duties, marks mix is a funky chicago style workout with style, and last on the remix is berlins savas pascalidis with a heavy after-hours work out for the warehouse

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

the 12 track album was written and produced since the turn of 2013 and mixed with erol alkan at the phantasy sound, the labels own studio in london. a difficult trick to master but like carl craigs more songs about food and revolutionary art, plastikmans consumed or more recently the work of four tet, the album works as a cohesive whole rather than a disparate collection of tracks

following four releases in the bangers and ash 12 inch series, styles upon styles inaugurates the label proper with an ep from our friends and community cohorts, archie pelago. from their earliest digital releases on end fence and tectonic, through substantial 12 inches via mister saturday night, well rounded, and their recent self-released transmissions (sly gazabo ep and breezy whey), each body of work from the trio of hirshi, kroba and cosmo d contributes to a growing narrative in their catalogue of improvised, acoustic-electronic dance music. mastered and cut by matt colton at alchemy in london. pressed at mpo in france with artwork from calvin ho and sus sleeve design by tschiegg.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

die new yorker band midnight magic klingt wie das von donna summer und george clinton gezeugte uneheliche kind, von dem niemand wissen soll. die combo um die sängerin tiffany roth kredenzt ein orgiastisches fest aus funk, disco und soul. schon 2010 hat midnight magic auf permanent vacation mit der single beam me up fuer furore gesorgt, ein jahr spaeter folgte hold the line. mit midnight creepers erscheint nun im lp-format eine compilation ihrer besten tracks.

following a hiatus of nearly two years, the latest furanum offering signals the return of solo work from label owner dominik muller and coincides with a pivotal tenth release on the label.

using a handful of production aliases, the spanish producer has been dishing out dark-tinted techno since the early 00s, often releasing on his own mental disorder imprint. his most prolific moniker is reeko, with which hes put out some three dozen records. his relatively more recent work as architectural, meanwhile, has been highlighted by a few appearances on semantica, including the 2012 solo release peacetime-a track from that one, looking ahead, earned a place in norman nodges berghain 06 mix for ostgut ton.

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.

somethings are just done better when they are done together and the same can be said about soul button and sasch s latest collaborative work unfold . the two steyoyoke men have come together to show just how passionate they are about producing music that is rich with feeling and emotion.

dutch producer arts the beatdoctor is set to release his newest work, collaborating with pioneering label lowriders recordings. this ep, titled lazy thunder, marks a significant change to his trademark sound. breaking away from his former laid back style displayed on 2007s transitions (unexpected records), 2008s progressions ep (beats broke) and his releases with the q4 (project: mooncircle), this new ep continues the trend already hinted at in his recent remixes: still present are the hypnotic loops and deep atmospheres, but the setting has changed from the lounge area to the main stage

contemporary scarecrow continue with a four track ep from the acid mondays with hoffmans bumbag ep. before albert hoffman, inventor of lsd, embarked on his final trip into the ether he gathered his lifes work and zipped it into his favourite bumbag. these secrets have remained concealed until now. expect 4 dimensions of interlocking sound matrixes and shapes from this vinyl only ep.

after the last collaboration which saw them go out successfully on desolat, the label loco dice, finally and after so much hard work they have completed their first album on beatwax records and have entitled it a young long trip.

kasket (aka charlie baldwin) returns to apollo with his second ep. warm regards, a collection of four songs left to simmer with traces of ambient, jazz, and dance rhythms, opens in dramatic fashion with a majestic title track of billowing synths and plaintively struck chords that serves as an ideal introduction to kaskets most realised work yet.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.

double lp + colour insert collectors edition of 500 copies only. features 32 of the most sought after tracks from the 2cd, 50-track set highlighting jamaican r&b and the birth of ska, one of fantastic voyages most anticipated releases of the year. compiled by genre authority mike atherton, youths boogie features 32 examples of prime early ska by artists including owen gray, hortense ellis, laurel aitken, wilfred jackie edwards, derrick morgan, and keith & enid. disc one is devoted to major players on the jamaican production scene, duke reid and chris blackwell, while disc two investigates the work of other producers vying to make their name.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

detroit house legend terrence parker on planet e, featuring the voice of reno ka. remixes from carl craig and master at work louie vega.

anaxander make a welcome return to local talk following the mighty local talking ep released earlier this year which got support from heavy weights like rolando, ben sims, recloose, ben westbeech and many more. on this release he drops the bpms and let the machines do the talking. both candy stand and my aniseed lollipop are perfect examples of how to lay down an acid track sparse but bold percussion frameworks to contain that all important, tension laced 303 work - perfect for ballrooms and basements alike!

alba (formerly albatross), have combined an immaculate eye for detail and warmth with their brand new release, knokke / law. the sydney duo have been hard at work perfecting their live show and supporting the likes of four tet, mount kimbie and gold panda for the past year so everyones appetite is whet for more tunes! a-side knokke comes out strong with the dogged drive of 909 hats and kick, over deep ominous noise and re-pitched vocals.

on perfect view, swedish producer hannes norrvide returns with his third full length and it is warmer and more inviting than any of his previous work. the album is composed of largely instrumental pieces, focusing more on beats, samples and general ambiance than its predecessor, last years growing seeds.

everybody likes doumen, but also everybody says >oh no ... i love doumen, but its hard to play their records in my dj sets or to have a party with them...<
so this is why we founded van doumen. it is a rework sublabel, completely based on original doumen material, following the idea of tracks that work in dj sets, but still have the doumen spirit. the first record was done by scherbe (uncanny valley, big bait, ..), philipp matalla (kann records, internasjonal spesial, ..), webermichelson (holger) and potensia (modern soul, ..). the first two tracks are superb club smashers, followed by an angry caricature monster of techno and finally potensia walks you home in the most intimate and beautiful way possible. to be honest, we say this record as a first step of van doumen is a classic already.

since 2005 jepe and mrbeat joined forces as johnwaynes, and they are very successful with it. from their first releases up to now, they have produced under the same guise, a widely diverse body of work, from a very diversity house, to full-on orchestra oriented classics, with the occasional drift into the more elegant territories of disco. the new ep house-o-matic continues right there.

popsimonova is the new upcoming queen of electro (wave). her tracks are cold but with lots of energy. intelligent constructed tracks to make you move but also to make you take a step back and let the music work on you in different ways. this is what they call electro from beyond the former iron curtain.

ataxia is a detroit-based production team of ted krisko and eric ricker. they are dj and promotional mainstays in the motor city and are making their full production debut with *the no.6 ep*.
ataxias immediately accomplished work appealed to two of this genre’s premier vocalists: clarian (recently of footprintz) and the ever busy la-based cari golden.

1984 bay area boogie funk holy grail reissued for the first time. prince-infused vocal stylings with over-the-top drum programming and unique synthesizer work. a true masterpiece of self-released 80s funk

zoos of berlins sophomore album >lucifer in the rain< is an exquisite work of slanted pop and art-rock

daniel steinberg cheats on his own label imprint arms and legs and gets down for a wild romance with kittball records. the result: 3 bastard babies that will turn the worlds dance floors upside down. green cash is a swingy groove monster with a super cool vocal on top

the slidebar crew strikes back and is proud to present a new label project called mindcut. dirty and raw is their philosophy prepare to have your brain sliced in two by a mix of real techno compiled onto two slabs of vinyl.

eerie returns... presumably with quite a few more ears attuned after the assured success of the vox attitude remix package. but its back to the script on this one, with three original brand new tracks of marco shuttles work. a very hypnotic, deep, athmospheric record as you would expect from the shuttle at his best.

what a year for lake people so far. apart from several excellent releases and remixes, like his outstanding interpretation for chymeras classic >caprica burning<, the leipzig-based act is busy playing gigs around the globe. earlier this year, he had his first south-america tour, north america is following this summer. his lowkey and touching live-performances obviously work excellently. we are now more than happy to present the next lake people ep. four tracks, no remixes and each of them a pearl on its own. >into< goes a bit in the direction of his hit >point in time< on krakatau, while >stepwise< and >come over later< reminds of the timeless electronic approach of acid jesus or soylent green releases on klang elektonik

chicagos beau wanzer known for his work with mutant beat dance and streetwalker makes his debut on l.i.e.s. with his first solo ep.. absolute killer!

auxiliarys owner and lead producer asc doesnt need introducing to most, but for those new to his work, witness a true musical visionary of the electronic music scene who has carved his own distinctive path year after year, enjoying noted success across multiple genres and sub genres. ascs progression has been unequivocally unique and can be felt with each release on his own and a plethora of respected labels. programme 01 reveals where asc is at right now, here on auxiliary.

superfiction present episode #04 and open their doors to a brand new artist for the very firs time. having caught the attention of label bosses the italoboyz & blind minded, with his dry, raw and stripped back techno, fellow countryman giacomo trevi has been invited to showcase his latest work on the label

etg007 villains e.p. two fresh new fast paced, dance floor, dj friendly tracks from label cohorts gareth wild, dax j and chris stanford. remix work comes in the form of a big room, atmospheric version of moonraker by berghain and panorama bars ryan elliott as well as the vengeance remix of engineers revenge from mexicos luis flores. with this release our closest astral object, the moon takes centre stage with menacing effect.

two exclusive and brand new remixes by the man from sicily, the always entertaining fab samperi. both songs will also appear on forthcoming full remix album including lots of other remix works.

>simple setup< in fact, this fine tune could have the capability of becoming a true >summer hit< – unfortunately we will release it not until september 2013. but maybe you like its loose and uplifting atmosphere anyway. christopher rau must have produced this good-humoured work with a big smile in his face. >save the energy< attentive boys and girls surely realize that we made a misspelling on the label! so what! more unlucky would be if we release a bad track. but christopher turns out in an experienced way what he knows best: relaxed deep house with a melancholic touch.>athens< what a rumbling tune! one definitively should play >athens< on a good sound system to enjoy its profound sub bass. and dear djs, please dont underrate it just because we placed it on position b2. played at the right time this track can work on the floor as well as the other ones.

it has always been one of my dreams reunite the old group of friends i met in the basement of rome and with whom i have begun the journey towards this adventure. today i am very happy to present this work made in collaboration with one of my closest friends and with whom i shared for long time studios, music, ideas, techniques and the mutual love for a good italian cuisine. i sincerely believe that donato dozzy does not need any introduction.

plan b recordings’ lola aka dakini9 returns with another 10 inch in her series of favorite formats. fans of her work will enjoy these two deep tracks with an outer-planetary vibe. *kuiper belt* pumps along with synths and sounds appearing at random like asteroids in space while *plutonian moon* plumbs the depths of inner and outer space with deep basslines, samples, and chords.

nicolas cantu makes a welcome return to sequencias with the lost tribe—a brisk 808 workout with lush synthwork and psychedelic acid stylings. this is a more breezy approach compared to his work on other labels yet spares none of the imaginative or emotive qualities. on the flip side, label head jm de frias offers up the dissonant groover the light as a follow up to his debut track from levon vincents acclaimed fabric mix cd. brash percussion collides with staccato melodies awash in echo and organ, sustaining an intensity that never quite boils over. the two team up for the closer the last light, an atmospheric epic of growling strings, breathy ambience and melancholy stitched together with creaky, decrepit acid stabs and brittle percussion. this is the beginning of an on going collaboration between the two, keep your ears open in the near future.

it has been a busy 12 months for trans-atlantic paraguayan trio lpz since their debut ep, 1983 was released to widespread acclaim, landing the disco single of the month award in dj mag and was featured online everywhere from xlr8r and dazed digital to gotta dance dirty and discobelle.
in the intervening months they’ve released another well received 12 inch on loungin recordings and remixed the likes of the herbaliser, compuphonic (get physical) and logo (kitsune), finally though they return to body work with a brand new 4 track ep, think for yourself.

la fleur is a dj in the ascendant. now a resident dj at watergate in berlin (and with a brand new ep for their label ready to drop - more on that in minute!) she has balanced her craft and her electronic music production with precision and flair: all of this is the result of hard work and a constant stream of quality gigs across the world. for the uninitiated, la fleur took her first forays into the studio in 2008, with her remix of david ekenbaecks nairu on trunkfunk records but it was her solo debut, the flowerhead ep, for her own power plant label, which really rocketed her into charts and record boxes worldwide.